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Review Archive

Starfire: A Red Peace – Spencer Ellsworth

A confession, reader, before starting this book review: when browsing Audible’s list of books for review, I saw a familiar name in the Narrator column, and chose this book before looking at the title or genre. Starfire: A Red Peace is jointly narrated by Mary Robinette Kowal and John Keating; long-time readers of this blog will recognize Mary as an author whose work I admire and someone who I’ve had the pleasure of meeting and learning from, on that cruise as well as subsequent online classes. I knew that she was an audiobook narrator, but hadn’t heard her work, so I jumped at the opportunity to listen to the first novel in Spencer Ellworth’s Starfire trilogy. Before I dig into the book and narration, I want to thank Audible for providing this book for review, and flag for you, listener, that they’re running a promotion until May 4th, 2018 that

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A Closed and Common Orbit – Becky Chambers

While I haven’t read The Long Way to a Small Angry Planet, the first book in Becky Chambers’s Wayfarers series, I found A Closed and Common Orbit, last year’s Hugo-nominated sequel to that volume, a deeply enjoyable and approachable read. The characters are rich and honest, the universe is extensive and fascinating, and the writing is excellent. At the core of A Closed and Common Orbit is one question, explored from several angles: what is personhood? Whether the AI learning the limitations of a single body, an escaped genetically engineered slave finding out about the world outside her prison, a ship AI exploring motherhood, or an alien shifting between genders with fluidity, each character arc deals with the question of personhood. (Personhood as opposed to humanity is something particularly interesting to explore, given our own proximity to artificial intelligence and our somewhat limited understanding of consciousness.) There isn’t an adventure

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2017 in Review

It is early evening on January 8th, 2018 and, having gathered the requisite statistics (and my thoughts, besides), it is time to wrap up the strange, beautiful, horrible year in a post. As I did last year, I’ll go over my stats and favorite reads of the year, but before diving into that, a bit of housekeeping and personal reflection. The two-thousand-seventeenth year of the common era was a doozy. Sociopolitical upheaval without and myriad changes within put something of a damper on what I’d hoped would be a year of voracious reading and reviewing, owing largely to my ingenious plan to make my way as a freelance writer. I started 2017 as a full-time writer at a startup in San Francisco, from which I shifted to an editorial stint at UC Berkeley’s Lawrence Hall of Science. I had made plans to attend the Writing Excuses Cruise and, upon my

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This Census-Taker – China Miéville

In past posts, I’ve alluded to the divide within the speculative fiction world, wherein on one side stands the group that wants to elevate unheard voices, shine a light on different stories, and push the boundaries of our boundless universes just a bit farther. From the other side wafts a miasma, that same stench that has consumed U.S. politics which, in this case, wants to make science fiction “Great Again.” That group calls itself the “sad puppies,” which isn’t a joke, somehow. Anyway, their continued efforts to bend the system to push certain works toward award nominations have been less effective than previous years, though not entirely ineffective. Which brings me to This Census-Taker, by China Miéville. I had planned not to read any of the puppy-nominated books from the 2017 Hugo nominees list, but I’d been meaning to read China Miéville for a while, having had his work recommended

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Penric and the Shaman – Lois McMaster Bujold

Lois McMaster Bujold, who won the 2017 Hugo Award for Best Series (for the Vorkosigan Saga), is a fantastically decorated writer. Among her many accolades are six Hugos, three Nebulas, three Locuses, and as of 2010 (according to wikipedia), has sold over two million books. And because I’ve been derelict in my studies of speculative fiction, I hadn’t heard of her until I saw Penric and the Shaman on the list of nominated novellas for the 2017 Hugos. It’s tough to give a fair review to a novella that is set smack-dab in the middle of an established series: the second novella in a series of five that is itself set within a larger series. There’s an established world, pantheon, society, and long-standing relationships between characters, nations, and religious sects that would have been prohibitively difficult (not to mention ill advised) to include in the novella. As such, there’s a

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All the Birds in the Sky – Charlie Jane Anders

So…hey there, reader. I’ve been away a while, with the exception of a few posts regarding that trip I took. Work’s been busy, life gets in the way, etcetera. In the couple of months since I last posted a review, I’ve read somewhere around a dozen books and stories, so in an effort to catch up to the schedule, I’ve set myself a rather aggressive review schedule. If, as I hope, I stick to that schedule, you can expect a review every other day through mid-November, possibly even into December. You ready? I am. Let’s do this. [drop_cap]C[/drop_cap]harlie Jane Anders has been the talk of the Sci-Fi world this year, with her debut novel, All the Birds in the Sky, winning a Nebula and nomination for a Hugo, among its many other accolades. I think it deserves the praise. All the Birds in the Sky is a story about abuse,

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2k to 10k – Rachel Aaron

Given that the podcast I’m on recommended this book almost a half-dozen times, I decided it would be prudent to read Rachel Aaron’s 2k to 10k: Writing Faster, Writing Better, and Writing More of What You Love.  So I did. And I’m glad we’ve been recommending it so heartily. The book is short and to the point, focusing on the author’s experience raising her own writing efficiency to (some might say) inhuman levels. 10,000 words a day is massive. It’s more than I write in a good week. And it’s what Rachel Aaron manages daily. Her techniques for achieving that daily feat are not opaque magical rituals, nor do they require ritual sacrifice—much to the possible chagrin of folks hoping for a “secret sauce” to writing lots and lots of words. Rather, she has a three-part plan that she claims can double word counts. I won’t dig into the details

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The Dream-Quest of Vellitt Boe – Kij Johnson

A strange and delightful congruity connects The Dream-Quest of Vellitt Boe with the last Hugo-nominated book I reviewed, The Ballad of Black Tom. Both reach back toward Lovecraft, grab hearty handfuls of story, and mold it into works that manage the requisite respect for the author of such incredible tales while openly challenging his prejudices. You can refresh your memory about how Victor LaValle elegantly reframes Lovecraft into a tale of loss and revenge in last month’s review. We’re here today to talk about Kij Johnson’s brilliant, expansive, and enthralling The Dream-Quest of Vellitt Boe. Most of the story takes place in the same world as Lovecraft’s The Dream-Quest of Unknown Kadath, complete with the array of fantastical locales and creatures that populate Lovecraft’s dreamlands—that’s right folks, there are zoogs, gugs, and ghouls aplenty in Vellitt Boe. I hadn’t (and still haven’t) read Lovecraft’s Unknown Kadath, but based on some

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The Last Sacrifice – James A. Moore

What happens when the great antagonist, the villainous figure bent on destroying the world, is the divine? The Last Sacrifice, the first book in James A. Moore’s Tides of War series, places that conflict at its core. And while it’s an interesting question—what if the gods themselves are the enemy—the book invests a great deal of time in worldbuilding and stage setting, leaving the “meat” of the plot on the back burner while hopping between points of view. The Last Sacrifice is Grimdark, which is to say it’s brutal and gory, and deals with some of the darker aspects of human behavior. The inciting incident of the story, which pits the protagonist against the gods, asks about the lengths to which anyone would go to get revenge for losing their entire family for nebulous reasons. It’s a familiar concept—man loses wife and children, becomes enraged, goes on a rampage to

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The Ballad of Black Tom – Victor LaValle

Note: Herein begins a series of reviews of books nominated for this years Hugo Awards. For those who don’t know, I will be attending the Hugos this year in Helsinki, Finland, and have more than a little catching up to do in regards to the nominees. I’ve already reviewed a few nominated stories, which will be back-tagged with the Hugo tag, should you be interested in seeing the group together.  When my dad first saw Quentin Tarantino’s Inglorious Basterds, he expressed an emotion that, at first, struck me as odd, but as I thought about it, made a great deal of sense. He found the film deeply cathartic. To watch a group of empowered Jews brutalize Nazis, he said, felt good. Really good. I thought about that for a long while. The second world war carved a deep wound on the entire world, and the holocaust left horrid scar tissue

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