Caveat Emptor: I get into a somewhat aggressive discussion about biblical literalism below. Before I dig into this review, I have a confession to make: I didn’t finish Behold a Pale Horse. I couldn’t. I think that if the election had gone differently, if the world didn’t seem so crazy right now, that I might
Warbler’s Note: This marks the introduction of an ongoing series of posts aimed at providing the writing community with resources of all kinds, from conventions to software, podcasts to exercises, and much more. The first will be a shout-out for the upcoming Writing the Other course. I attended a class from the Writing the Other series
This is another one of those cases where I feel that a book I aim to review is out of my league. The Divine Comedy is absolutely beyond the scope of my review blog. So I will attempt to not review it for its contents. But what I feel is within my purview is a
Wow! Here it is: the very first Warbler video. For the very first of the “produced” Warbler content, I had an excellent conversation with the author of Tears of the Assassin, William Schiele. **Note: evidently, none of the links I wanted to place in this video will work. That being the case, check out the links
Last year, I made a decision to commit fully to the “being a writer” thing. So, toward the end of last year, I asked some Bay Area-based writers on Twitter about local conventions. A number got back to me and enthusiastically recommended FOGcon. The Friends Of Genre convention, which I attended this past weekend (March
There seems to be no better day than today, International Women’s Day, to talk about an extraordinary piece of science fiction written by the brilliant Nnedi Okorafor, about belonging and identity from the perspective of a powerful young woman. You might recall that Binti was one of my two favorite works of science fiction of
I’m not sure about other writers in the world, but it seems to me unique that Brandon Sanderson considers writing a new novella to be a break from, well, writing. Granted, he did write Snapshot as a break from working on Oathbringer, the third volume in his mega-epic Stormlight Archive series, but, like, I mean…he
It’s difficult to know where to begin when discussing Kameron Hurley’s essay collection, The Geek Feminist Revolution. Heartfelt may be a good word. Expansive may be another. But what keeps coming to my mind, over and again, is important. Vital, even. Especially in today’s America, wherein the once-fringe Gamergate movement has become the de-facto governing
William Schiele packs a hefty amount of action and intrigue into Tears of the Assassin, his debut novel published by Inkshares last week. In Assassin, David Diegert, a half-Ojibwa half-white American, is passed from gauntlet to gauntlet, his situation growing worse and worse, until he’s forced to take work as a contract killer on the
Brandon Sanderson’s Cosmere—the greater universe in which the majority of his books takes place—was recently optioned for film and licensing rights for $270 million, which is nothing-to-sneeze-at success, if you ask me. I’m eager to see the visual adaptations of his books, but I worry that because I’ve got such a vivid picture of them
The Warbler began as an experiment; a means for cataloging the books I enjoyed, and why. As I started reading roughly one book every week, I noticed myself losing track of what I read, when I read it, and how I felt about it. So I started writing reviews. That was in 2011, and The Warbler is still going strong.
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